DanceGracia LouiseNovember 18, 2019Australian Book Review, culture, nature, history, respect, Motion, Rudi van der Merwe, Trophy, SwissStyle, dancehouse, Rainbow lorikeet, Quarries Park, golden light, Baroque, Victor Roy, Claire-Marie Ricarte, József Trefeli, Béatrice Graf, Cindy Van Acker, Sylvia Staehli, Laure Lescoffy, Matthieu Chayrigues, Stephanie Bayle, Shadowpieces, Merce Cunningham, risha Brown, Twyla Tharp, Mark Rothko, colour, Elaine de Kooning, Enrico Pitozzi, Sin City, Christian Lutz “The flow of movement and its suspension” swiss.style at Dancehouse DanceGracia LouiseNovember 18, 2019Australian Book Review, culture, nature, history, respect, Motion, Rudi van der Merwe, Trophy, SwissStyle, dancehouse, Rainbow lorikeet, Quarries Park, golden light, Baroque, Victor Roy, Claire-Marie Ricarte, József Trefeli, Béatrice Graf, Cindy Van Acker, Sylvia Staehli, Laure Lescoffy, Matthieu Chayrigues, Stephanie Bayle, Shadowpieces, Merce Cunningham, risha Brown, Twyla Tharp, Mark Rothko, colour, Elaine de Kooning, Enrico Pitozzi, Sin City, Christian Lutz
DanceGracia LouiseNovember 08, 2017Eko Supriyanto, Fjord Review, Dancehouse, Gracia Haby, Cry Jailolo, Balabala, Salt, WWF, climate change, Indonesia, Dr. Seuss, liminal state, swimming, diving, movement, choreography, performance, Sylvia Staehli, jukung, Horton Hears a Who!, Sylvia Earle Go under water Eko Supriyanto’s Salt, at Dancehouse DanceGracia LouiseNovember 08, 2017Eko Supriyanto, Fjord Review, Dancehouse, Gracia Haby, Cry Jailolo, Balabala, Salt, WWF, climate change, Indonesia, Dr. Seuss, liminal state, swimming, diving, movement, choreography, performance, Sylvia Staehli, jukung, Horton Hears a Who!, Sylvia Earle
